224 pp., 6.125 x 9.25, notes, index
Paperback ISBN: 978-0-8078-4917-0
Published: March 2001
eBook ISBN: 978-0-8078-7558-2
Published: January 2003
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Focusing on Gayl Jones's Corregidora (1975), David Bradley's The Chaneysville Incident (1981), and Octavia Butler's Kindred (1979), Ashraf Rushdy situates these works in their cultural moment of production, highlighting the ways in which they respond to contemporary debates about race and family. Tracing the evolution of this literary form, he considers such works as Edward Ball's Slaves in the Family (1998), in which descendants of slaveholders expose the family secrets of their ancestors.
Remembering Generations examines how cultural works contribute to social debates, how a particular representational form emerges out of a specific historical epoch, and how some contemporary intellectuals meditate on the issue of historical responsibility--of recognizing that the slave past continues to exert an influence on contemporary American society.
About the Author
Ashraf H. A. Rushdy is professor in the African American Studies Program and the English Department at Wesleyan University in Middletown, Connecticut. He is author of Neo-Slave Narratives: Studies in the Social Logic of a Literary Form.
For more information about Ashraf H. A. Rushdy, visit the Author Page.
"Rushdy's close reading is invaluable, particularly to scholars of religion for whom the presence of the past is taken for granted, and his clear discussion of controversies surrounding concepts of race and the legacy of slavery is an excellent introduction to the vast and growing literature on essentialism, the construction of 'whiteness,' apology, and reparation."--Religious Studies Review
"In Remembering Generations, Ashraf Rushdy investigates yet another important dimension of the neo-slave narrative tradition of the late twentieth century: the African American 'palimpsest' narratives of the post-Black Power movement. The tapping of tense 'family secrets' of race and memory in the United States--which has led to a good deal of recent controversy--was launched in the African American novel of the 1970s, Rushdy tellingly argues. Remembering Generations shows us why and how such secrets began to get told in the fiction of David Bradley, Octavia Butler, and Gayl Jones, and why our understandings of blackness, whiteness, and national history have been haunted ever since."--William L. Andrews, University of North Carolina at Chapel Hill