344 pp., 6.125 x 9.25, 29 illus., notes, index
Paperback ISBN: 978-0-8078-5834-9
Published: September 2007
eBook ISBN: 978-1-4696-0661-3
Published: September 2012
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Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes.
About the Author
Joseph B. Entin is assistant professor of English at Brooklyn College, City University of New York.
For more information about Joseph B. Entin, visit the Author Page.
"Remind[s] us how powerful the ideological battles over meaning-making can be, particularly at decisive moments such as the Great Depression."--American Journalism
"This text's subtle exposition of an unacknowledged countertradition in 1930s writing makes it a valuable contribution to the decade's cultural history."--American Historical Review
"Sensational Modernism brilliantly explores the 'bloody crossroads' where the socialist politics of the 1930s and modernist literary style met. Entin demonstrates that socialism and modernism--far from contradicting one another--constitute the terms of a fascinating and significant cultural discourse as alive today as it was half a century ago."--Paul Lauter, Trinity College
"In identifying and exploring what he calls 'sensational modernism' in the 1930s, Entin alters our traditional views of thirties culture, highlighting the fusion of surrealism, popular culture, and the social imagination. Entin's study will be an important addition to the revisioning of that decade from so many directions in recent years."--Miles Orvell, Temple University