186 pp., 6 x 9, notes, bibl
Paperback ISBN: 978-0-8078-9081-3
Published: January 1969
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Distributed for the University of North Carolina at Chapel Hill Department of Romance Studies
Through careful reading of Luis Cernuda's later poetry, written after 1936, Alexander Coleman argues that Luis Cernuda was a poet whose primary impulse in his art was the suppression of the subjective and the consequent objectivization of poetry.