The South in Color
A Visual Journal
By William Ferris
Foreword by Tom Rankin
144 pp., 8 x 9.5, 103 color plates, bibl
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Hardcover ISBN: 978-1-4696-2968-1
Published: September 2016 -
E-book EPUB ISBN: 978-1-4696-2969-8
Published: July 2016 -
E-book PDF ISBN: 979-8-8908-4986-1
Published: July 2016
H. Eugene and Lillian Youngs Lehman Series
Buy this Book
- Hardcover $37.50
- E-Book $19.99
The volume opens with images of his family’s farm and its workers--family and hired--southeast of Vicksburg, Mississippi. The images are at once lyrical and troubling. As Ferris continued to photograph people and their homes, churches, and blues clubs, their handmade signs and folk art, and the roads that wound through the region, divisive racial landscapes become part of the record. A foreword by Tom Rankin, professor of visual studies and former director of the Center for Documentary Studies at Duke University, provides rich insight into Ferris’s work.
About the Author
William Ferris is Joel R. Williamson Eminent Professor of History at the University of North Carolina at Chapel Hill and a former chairman of the National Endowment for the Humanities. With Ferris’s two previous books, Give My Poor Heart Ease and The Storied South, The South in Color completes an informal trilogy of Ferris’s documentation of the South’s tumultuous twentieth century.
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Reviews
“Bill Ferris has taught a lot of people how to embrace Southern culture. . . . Now he’s showing us what he loves in photographs.”—Daily Beast
"Reveals Ferris's natural and direct eye, with each section growing in narrative power and scope. . . . Lyrical and sensitive, the photos reveal a dichotomy between tradition and change, rich and poor, black and white, tracking race relations in the South."—Publishers Weekly
“A visual journal boasting 103 photographs of the region’s idiosyncratic characters and landscapes.”—Atlanta Journal-Constitution
“Provides an honest and open perspective on his journey from the farm to a lifelong career as a folklorist.”—Mississippi Today
"Ferris distills his formative decades, the 1960s and '70s, into plain-spoken poetry about what life feels like in his more intimate, equitable and interconnected South. . . . In these images, Ferris' use of color shines. . . . His characters transcend the labels of black and white or have and have-not, granted a documentary pedestal from which they say their own pieces in their own voices."—Julian Rankin, Clarion-Ledger
"Captures [a] vanishing place. . . . Striking. . . . Ferris is catching a moment of transition. . . . Much of Ferris' imagery seems timeless."—Wilmington Star-News