Before Equiano

A Prehistory of the North American Slave Narrative

By Zachary McLeod Hutchins

306 pp., 6.125 x 9.25, 14 halftones, 4 tables, notes, bibl., index

  • Paperback ISBN: 978-1-4696-7154-3
    Published: December 2022
  • Hardcover ISBN: 978-1-4696-7153-6
    Published: December 2022
  • E-book EPUB ISBN: 978-1-4696-7155-0
    Published: December 2022
  • E-book PDF ISBN: 979-8-8908-6234-1
    Published: December 2022

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In the antebellum United States, formerly enslaved men and women who told their stories and advocated for abolition helped establish a new genre with widely recognized tropes: the slave narrative. This book investigates how enslaved black Africans conceived of themselves and their stories before the War of American Independence and the genre's development in the nineteenth century. Zachary McLeod Hutchins argues that colonial newspapers were pivotal in shaping popular understandings of both slavery and the black African experience well before the slave narrative's proliferation. Introducing the voices and art of black Africans long excluded from the annals of literary history, Hutchins shows how the earliest life writing by and about enslaved black Africans established them as political agents in an Atlantic world defined by diplomacy, war, and foreign relations. In recovering their stories, Hutchins sheds new light on how black Africans became Black Americans; how the earliest accounts of enslaved life were composed editorially from textual fragments rather than authored by a single hand; and how the public discourse of slavery shifted from the language of just wars and foreign policy to a heritable, race-based system of domestic oppression.

About the Author

Zachary Hutchins is associate professor of English at Colorado State University and co-editor of The Earliest African American Literatures: A Critical Reader.
For more information about Zachary McLeod Hutchins, visit the Author Page.

Reviews

"Hutchins makes an important contribution to the growing scholarly interest in expanding our understanding of what a published 'slave narrative' was by investigating the eighteenth-century origins of what is usually understood to be a nineteenth-century Anglo-American genre."—H-Early-America

“Scholars of the literature of slavery and, indeed, the slave narrative, have a great deal to learn from Before Equiano... With its explicit reliance on both the archive and the critic's "imaginative readings," [it] affirms the need for early Americanists to continue to think carefully about the purposes and methodologies of historicist literary criticism.” –Early American Literature

Before Equiano . . . makes important contributions to our understanding of colonial conceptions of enslavement and highlights the significant differences between eighteenth-century views of slavery and those Americans held in the antebellum period. . . . [A] valiant effort to recover the words, the lives, and, above all, the mind-set of enslaved people engaged in influencing colonial conceptions of enslavement in the eighteenth century.”–Journal of American History

Before Equiano, through its emphasis on the eighteenth-century periodical record, provides important context for the nineteenth-century slave narrative and for a Black life writing tradition more broadly.”— Eighteenth-Century Studies

Before Equiano is such a beautiful achievement. It is the first comprehensive study of the rhetorical habits, historical contexts, and discursive strains of the slave narrative prior to its consecration in the antebellum era; in short, it is the story of the slave narrative before it became the slave narrative.”—American Literary History

"In a work of impressive scope, Hutchins takes on the challenging task of delineating the prehistory of the slave narrative and how slavery was understood in the American colonies, while also helping readers understand the role of newspapers in both the development of and resistance to slavery as an institution."—Karen Weyler, University of North Carolina at Greensboro