240 pp., 8.5 x 11, 43 color plates., 32 halftones
Hardcover ISBN: 978-1-4696-5423-2
Published: February 2020
eBook ISBN: 978-1-4696-5424-9
Published: December 2019
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Awards & distinctions
Shortlisted, 2020 Paris Photo-Aperture Foundation First PhotoBook Award
With Road Through Midnight, the result of nearly a decade of research and fieldwork, Ingram unlocks powerful and complex histories to reframe these commonplace landscapes as sites of both remembrance and resistance and transforms the way we regard both what has happened and what’s happening now—as the fight for civil rights goes on and memorialization has become the literal subject of contested cultural and societal ground.
About the Author
Jessica Ingram is assistant professor of art at Florida State University.
For more information about Jessica Ingram, visit the Author Page.
“A haunting monograph that presents narratives of struggle, injustice, and unspeakable brutality in almost austere fashion. . . . In showing us how everyday landscapes are forever scarred by violent histories, Ingram is telling us that the wounds of slavery, segregation, and white supremacist ideology survive in ways we refuse to see, in our cities, prisons, schools, and neighborhoods.”--Chapter 16
“Inviting and engaging. Ingram’s book is both reflexive and reflective, guiding us through a difficult history and creatively telling these hidden histories with a sensitivity to a highly trafficked past. Her pioneering approach as a photographer and archivist gives us a new way of looking at the South and the civil rights movement from someone who grew up in the South.”—Deborah Willis, author of Posing Beauty: African American Images from the 1890s to the Present
“An unparalleled approach to the topic of civil rights history in photography—studies such as this are so needed today. Ingram’s poignant photographs make these quiet, forgotten southern landscapes come alive. An original thinker and dedicated artist, Jessica Ingram fosters a rhythm and flow that captives the reader and draws them in to the very end.”—Cheryl Finley, author of My Soul Has Grown Deep: Black Art from the American South and Committed to Memory: The Art of the Slave Ship Icon