Selling Tradition

“Rarely has a historiographic treatment of material culture achieved the transdisciplinary scope that Jane S. Becker’s has. . . . Becker is extremely thorough in her analysis and comprehensive in her research. The result is a significant contribution to scholarship.” — American Historical Review

“For Becker, the history of handicrafts illuminates the search for American culture as itself a phenomenon worth noticing. It is this that makes this book so important.” — Journal of American History

“A book that should be of great value in folklife and women’s studies as well as in regional studies.” — Journal of Southern History

“Selling Tradition’s strength is Becker’s ability to reveal the multifaceted economic relationships that sustained the crafts industry. Her depth of knowledge is stunning. . . . As a work of cultural history it remains an important accomplishment. To anyone who had assumed that crafts were simple expressions of a naive mountain folk culture, the book will offer a startling wake-up call. To anyone interested in the depression-era search for a true American culture, it will serve as a valuable companion to other works that address aspects of this subject.” — Winterthur Portfolio

“Becker makes a significant contribution to that growing body of regional literature with her fascinating and exhaustively researched study of the cultural politics surrounding Southern mountain handicraft traditions.” — The Review of Politics

“The best and most detailed accounting to date of the rich decade of development of the Appalachian crafts and folk festivals.” — Journal of Appalachian Studies

“Jane Becker’s book fills a major need in cultural and regional studies. Her thorough and wide-ranging scholarship illuminates a pivotal but heretofore only superficially examined aspect of the cultural politics of the 1930s. It should appeal to a wide audience.” — David Whisnant, author of All That Is Native and Fine: The Politics of Culture in an American Region

“Jane Becker’s book remains strong in my memory. It is a model of humane scholarship. It demonstrates that as much as we would like to think otherwise, the Arts and Crafts movement relied on the creation of something like a sweatshop, now relocated into southern mountain homes. The well-intentioned instigators of this work, mostly elites from the Northeast, had little idea of how they were actually intensifying the poor conditions of those to whom they thought they were ministering. The story Jane Becker tells is not pretty, but it is fascinating and deeply informative.” — Roger D. Abrahams, University of Pennsylvania