From a Sabine Jar

This book is a detailed study of a single poem — Horace, Odes 1.9 — often called 'The Soracte Ode' after the mountain named in its second line. Although more than seventy articles and parts of books have been devoted to this twenty-four line poem since the beginning of the last century, Lowell Edmunds is the first scholar to apply developments in literary theory from outside the field of classics to a discussion of the ode. Specifically, he uses Hans Robert Jauss’s essay on Baudelaire’s “Spleen (II)” as a model for his study.

According to Edmunds, attempts to answer aesthetic questions about ancient lyric poems typically begin with philological or historical facts — which scholars present as new evidence, heretofore undiscovered or misunderstood — and proceed to an analysis built on those facts. Edmunds argues that contemporary literary theory provides a different way of reconciling the aestheic and historical claims of a lyric poem, ancient or modern. He then takes a fresh look at Horace’s poem, employing Jauss’s method of performing three successive readings of the text: the first aesthetic or perceptual, the second interpretive, and the third historicist.

In this hermeneutic Jaussian approach, Edmunds shows, the unity of the poem appears in the process of reading rather than, as in a philological approach, in the analysis of it. Moreover, he labels an emphasis on the act of reading itself, distinct from analysis, as the main difference between philological and hermeneutical ways of understanding a poem. Focusing on this contrast, he surveys the history of the ode’s reception and scholarly interpretation. In the final chapter, he briefly considers deconstruction as an alternative critical method. Assessing the rival claims of hermeneutics, deconstruction, and philology as interpretive tools, Edmunds concludes by favoring hermeneutics.

Originally published in 1992.

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