328 pp., 6.125 x 9.25, 40 illus., 5 tables, notes, bibl., index
Paperback ISBN: 978-0-8078-4971-2
Published: October 2001
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Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period--Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways.
About the Author
Kirsten Swinth is associate professor of history and director of the American Studies Program at Fordham University.
For more information about Kirsten Swinth, visit the Author Page.
"The manoeuvres, successes and failures of American women artists are engagingly narrated. Swinth relies on lively documentary evidence supplied by diaries, letters and contemporary criticism."--Times Literary Supplement
"Clearly written. . . . A significant cultural history that identifies the parameters for further study by cultural and art historians."--Choice
"Demonstrating the artistic resiliency and professional commitment of two generations of women artists, this comprehensive volume provides an important feminist intervention into the history of American art."--Journal of American History
"A convincing model of the gendering of turn-of-the-century modernism that restores women artists to a deservedly prominent position."--American Studies
"This ambitious, provocative work is a leap forward in establishing the vital connection between women artists and high culture in the United States. Future discussions in the field will find this book impossible to ignore."--American Nineteenth Century History
"Meticulously researched and brilliantly argued, Painting Professionals pictures the unsure paths American women traveled in the late nineteenth century as they sought out training, careers, and a market in the arts. Kirsten Swinth helps explain all those women we see in photographs of late Victorian art classes--where they came from, where they went, and why so many disappeared. A magnificent achievement!"--Wanda M. Corn, Stanford University