260 pp., 6.125 x 9.25, 20 halftones, 2 maps, notes, bibl., index
Paperback ISBN: 978-1-4696-3334-3
Published: February 2017
eBook ISBN: 978-1-4696-1861-6
Published: September 2014
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Awards & distinctions
2015 Robert M. Utley Prize, Western History Association
Cothran examines the production and circulation of these narratives, from sensationalized published histories and staged lectures featuring Modoc survivors of the war to commemorations and promotional efforts to sell newly opened Indian lands to settlers. As Cothran argues, these narratives of American innocence justified not only violence against Indians in the settlement of the West but also the broader process of U.S. territorial and imperial expansion.
Sponsored by First Peoples: New Directions in Indigenous Studies
About the Author
Boyd Cothran is associate professor of history at York University.
For more information about Boyd Cothran, visit the Author Page.
"A nuanced, well-researched, sharply argued, far-reaching cultural history of Gilded Age settler colonialism in the American West."--Native American and Indigenous Studies
"An original and important study of the long-term impact of one of the frontier wars in the American West."--Journal of American History
"[A] fascinating examination. . . . Succeeds in returning the conflict to a central place in the history of western settlement."--Pacific Northwest Quarterly
"For Cothran, reconsidering the Modoc War means more than setting the record straight. His historical work actively deconstructs contemporary narratives of American innocence and the ways they use history."--American Quarterly
“Masterful and evocative prose. . . . A sophisticated analysis of the construction of public memories and the role they play in sustaining settler colonial narratives of the nation and its relationships with Native people. . . . A model for all scholars seeking meaning in memory, conflict, performance, violence, and commemoration.”--American Historical Review
“His historical work actively deconstructs contemporary narratives of American innocence and the ways they use history.”--American Quarterly
Multimedia & Links
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