Narrating Desire

Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain

By Sol Miguel-Prendes

Narrating Desire

Approx. 305 pp., 6 x 9, 5 halftones, notes, index

  • Paperback ISBN: 978-1-4696-5195-8
    Published: November 2019

North Carolina Studies in the Romance Languages and Literatures

Paperback Available November 2019, but pre-order your copy today!

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Distributed for the University of North Carolina at Chapel Hill Department of Romance Studies

Narrating Desire: Moral Consolation and Sentimental Fiction in Fifteenth-Century Spain proposes a new taxonomy and conceptual frame for the controversial Iberian genre of sentimental fiction. It traces its origin to late-medieval education in rhetoric, philosophy, and medicine as the foundation for virtuous living. In establishing the genre’s boundaries and cultural underpinnings, Narrating Desire emphasizes the crucial link between Eastern and Western Iberian sentimental traditions, and offers close readings of a vast array of Catalan and Castilian fictions, translations, narrative poems, letters, and doctrinal treatises: the Catalan translations of Boethius’s Consolation of Philosophy, Santillana’s El sueño, Bernat Metge’s Lo somni, Romeu Llull’s Lo despropiament d’amor, Pedro Moner’s La noche and L’anima d’Oliver, Rodríguez del Padrón’s Siervo libre de amor, Carrós Pardo de la Casta’s Regoneixença, Roís de Corella’s Parlament and Tragèdia de Caldesa, Pedro de Portugal’s Sátira, Francesc Alegre’s Somni and Raonament, Pere Torroella’s correspondence, and the well-known works by Diego de San Pedro (Arnalte y Lucenda; Cárcel de Amor) and Juan de Flores (Grisel y Mirabella; Grimalte y Gradissa) among others. From them, Miguel-Prendes singles out a group of dream visions whose interpretive and compositional practices sire the sentimental genre. Social interactions lead to either a consolatory or a sentimental form, which imply very different ways of seeing: the allegorical gaze of consolation gives way to narrative fiction. In distorting moral conversion, the sentimental genre heralds the novel.

About the Author

Sol Miguel-Prendes is Associate Professor of Spanish at Wake Forest University. She is the author of El espejo y el pielago: La Eneida castellana de Enrique de Villena and former editor in chief of La coronica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures.
For more information about Sol Miguel-Prendes, visit the Author Page.