332 pp., 6.125 x 9.25, 30 halftones, appends., notes, bibl., index
Paperback ISBN: 978-1-4696-6036-3
Published: October 2020
Hardcover ISBN: 978-1-4696-6035-6
Published: October 2020
eBook ISBN: 978-1-4696-6037-0
Published: September 2020
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In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition’s major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow’s thought-provoking book kickstarts a long overdue conversation.
About the Author
Adam Gussow is professor of English and southern studies at the University of Mississippi and author of four previous books on the blues, including Beyond the Crossroads: The Devil and the Blues Tradition. He is currently appearing on Netflix in Satan & Adam, an award-winning documentary about his thirty-five-year partnership with Mississippi-born bluesman Sterling "Mr. Satan" Magee.
For more information about Adam Gussow, visit the Author Page.
"An insightful work that connects contemporary culture to an old-school genre." —Kirkus Reviews
"Ably details the African American core of the blues and the shifting racial dynamics that have made the music so compelling to white Americans and blues fans in other cultures. Blues scholars will find the book illuminating." —Library Journal
“Well-researched. . . . Another recommended book.” —Steve Ramm, The Antique Phonograph
“This thought-provoking work comes highly recommended for anyone interested in stepping beyond the music itself to gain a broader understanding of the forces that have fashioned it into a powerful musical form that transcends boundaries of all kinds.” —Blues Blast Magazine
“Whose Blues? is ambitious and challenging and opens up debate on a subject that must be addressed. . . . [Gussow’s] literature survey and close readings are revelatory.” —Robert H. Cataliotti, Living Blues
“As a Black musician, I have often reflected on the dichotomy between Black bluesism and blues universalism. Whose music is it? Who profits from it? How is the next generation of blues artists being mentored? In a book that is as timely as it is illuminating, Adam Gussow has given us an excellent framework for considering these questions, and along the way he offers a rich, informative, and often myth-busting history of the complex story of blues and race.”--Gene Dobbs Bradford, president and CEO, Jazz St. Louis