264 pp., 6.125 x 9.25, 15 halftones, 8 maps, 3 tables, notes, bibl., index
Paperback ISBN: 978-1-4696-6182-7
Published: March 2021
Hardcover ISBN: 978-1-4696-6181-0
Published: March 2021
eBook ISBN: 978-1-4696-6183-4
Published: February 2021
Paperback Available March 2021, but pre-order your copy today!
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In this fascinating work, K. Stephen Prince sheds fresh light on both the history of the Robert Charles riots and the practice of history-writing itself. He reveals evidence of intentional erasures, both in the ways the riot and its aftermath were chronicled and in the ways stories were silenced or purposefully obscured. But Prince also excavates long-hidden facts from the narratives passed down by white and black New Orleanians over more than a century. In so doing, he probes the possibilities and limitations of the historical imagination.
About the Author
K. Stephen Prince is an associate professor of history at the University of South Florida. He is also author of Stories of the South: Race and the Reconstruction of Southern Identity, 1865-1915.
For more information about K. Stephen Prince, visit the Author Page.
“Prince meticulously recovers the history of Robert Charles, whose rebellion against police brutality, white terror, and the retreat from Reconstruction inspired a ‘song too dangerous to sing’ in the wake of the New Orleans Riot of 1900. The Ballad of Robert Charles is an engaging, accessible, must-read book that offers insights for our present national reckoning over race and policing.”--Hilary Green, University of Alabama
"The Ballad of Robert Charles is as much about the nature of historical inquiry as it is about the shocking race riot for which Robert Charles is known. It is smart and wonderfully written, brimming with fresh insights."--Lawrence N. Powell, Tulane University
“Prince treats the 1900 New Orleans Riot as a prism through which to explore the everyday and spectacular state-sponsored and extralegal violence plaguing Black lives at the dawn of the twentieth century. In doing so, Prince resurrects the ghosts of a disavowed past to speak to enduring problems of race and the right to the city.”--Shirley E. Thompson, University of Texas at Austin