“Explores how pearls were extracted, circulated, and valued and situates them within wider frameworks of imperial expansion, consumption, and global trade. . . . A carefully researched and beautifully illustrated book.”—American Historical Review
“A richly researched contribution to the literature on commodities in global history. . . . Quite convincing in encouraging readers to see that pearls were much more than a bauble; they had the power to shape an empire’s trajectory over two centuries.”—Journal of American History
“Revelatory. . . . Warsh constructs her account with such disciplined clarity that the experience of reading her remains one of lightness and even of luminescence.”—Times Literary Supplement
“An ambitious book. . . . Warsh deserves high praise for thoroughly and thoughtfully exploring a topic that has rarely been treated outside scientific or gemological circles. The range of archival sources she exploited is astonishing.”—New West Indian Guide
“An ambitious book. . . . Warsh deserves high praise for thoroughly and thoughtfully exploring a topic that has rarely been treated outside scientific or gemological circles. The range of archival sources she exploited is astonishing.”—Brill Journals
“Warsh manages to cover two centuries and touch on a wide variety of topics in a concise volume. . . . Historians and students of the Spanish empire, luxury trade, the Columbian exchange, and world history will find this a valuable addition to existing scholarship. . . . Today most people know how [pearls] are formed, but with American Baroque, we now know that they in turn contributed to the formation of empires.”—Hispanic American Historical Review
“American Baroque is an original, solidly documented monograph rich in archival sources that anyone with an interest in the history of commodity trade, colonial labor regimes, luxurious material culture, or, indeed, pearls, in the early modern Iberian world and beyond, should read. . . . [It is] commendable in its attention to detail, courageous in its geographical breadth, and innovative in its subject matter.”—Winterthur Portfolio
“American Baroque uses pearls as a heuristic to explore Spanish imperialism in the sixteenth and seventeenth centuries. . . . Warsh demonstrates an Iberian, and subsequently a wider European, fascination with pearls as metonym for maritime empire. . . . These glimpses—missionary tracts, sunken treasure, stolen booty, valued possessions, subtle iconographies—are mined with considerable skill.”—Journal of Early Modern History
“Beautifully written and deeply researched. . . . In Warsh’s capable hands, microhistory becomes a powerful tool for exploring the nuanced and dynamic way in which the processes of colonialism, global capitalism, state formation, and local ecologies became co-constitutive and entangled.”—William and Mary Quarterly
“Rich with ideas, stylistically expansive and filled with microhistories, the author’s expertise is clear. . . . Warsh’s American Baroque is a highly original . . . always idea-rich body of work that deserves the attention not just of anyone who would like to know about pearls, but also of anyone who would like to get to the heart of ‘imperial drama’ (81).”—International Journal of Maritime History
