Cold War Country
How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism
By Joseph M. Thompson
344 pp., 6.125 x 9.25, 23 halftones, notes, bibl., index
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Paperback ISBN: 978-1-4696-7836-8
Published: April 2024 -
Hardcover ISBN: 978-1-4696-7835-1
Published: April 2024 -
E-book EPUB ISBN: 978-1-4696-7837-5
Published: March 2024
Studies in United States Culture
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This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad.
About the Author
Joseph M. Thompson is assistant professor of history at Mississippi State University.
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Reviews
"Essential reading . . . Thompson’s exploration of the longstanding ties between the US military and country music doesn’t just help you rethink country music, but the ways in which America uses popular music to its own ends. Thompson’s immaculately researched book upends expectations while diving deep into the previously unreported ties . . . between the army and Music Row."—Rolling Stone, Best Music Books of 2024
"Joseph Thompson tells the fascinating and forgotten story of how the Pentagon and Music Row encouraged and reinforced each other. . . . [and] reveals why this happened."—Boston Globe
“Thompson digs deep into the nuanced history of the mutually beneficial relationship between the Pentagon and Nashville’s Music Row. . . . Cold War Country significantly contributes to American music and political historiography and would make an engaging and useful reading for a graduate seminar or upper-division undergraduate course.”—North Carolina Historical Review
"Thompson’s book convincingly documents the close association of country music with the U.S. military while also providing lesser-known narratives about the careers of some famous country performers."—Something Else!
“Cold War Country provides a thorough documentation and analysis of the process by which Country music and the U.S. military became entwined. . . . Thompson’s excellent Cold War discussion will be a go-to resource for understanding the relationship and actions of Music Row and the Pentagon regarding Country music during, and even after, the Cold War.”—James E. Akenson, Louisiana History
"Thompson's Cold War Country will not only transform scholarly discussions around country music, but it will make a crucial contribution to larger conversations about popular culture, the political history of the South, and the United States in the twentieth century. It is a model for the kind of scholarship that anyone who wants to work on music or pop culture can benefit from."—Charles Hughes, author of Country Soul: Making Music and Race in the American South