A Theory of Craft

“An unprecedented effort to define crafts and to place the work in a cultural context, both differentiating it from and aligning it with other aesthetic activities. Risatti’s fluent, knowledgeable approach and his emphatic categorizing should be widely read — not because he offers a final answer but because his extraordinary book is so stimulating and provocative." — Janet Koplos, senior editor, Art in America

“Risatti challenges many of the long-held stereotypes about craft that hinder a true understanding of the art form. His conclusions challenge us to reevaluate our ideas not only about craft but also about what actually constitutes a work of art.” — Kenneth R. Trapp, from the Foreword

“This book is notable for its logically progressive and rigorously philosophical development of a general theory of craft. In arguing his case, Risatti draws upon an extensive knowledge of aesthetics. A Theory of Craft sets an excellent precedent for future research in the field.” — Glen R. Brown, Kansas State University

“A well-organized argument for the consideration of craft as art and its elevation in status. . . . An important contribution to the field of contemporary craft activity and its contributions.” — Wintherthur Portfolio

“Destined to become required reading for undergraduate and graduate courses in art and craft history. . . . A book worth waiting for.” — Ceramics Monthly

“With a writing style that is direct and engaging, Risatti examines the value of the handmade in an age of mass-production and constructs a critical framework for evaluating the place of craft media in today’s art environment.” — FiberArts

“[A Theory of Craft] lays out reasons for the historical dichotomy in Western philosophy between fine art and crafts.” — Library Journal

“Howard Risatti offers a very palatable narrative in A Theory of Craft: Function and Aesthetic Expression. Risatti dives headfirst into the craft versus art and design argument, peeling back the layers to understand the most basic definitions, functions and history of craft.” — Arts Reader

“Risatti has long been ahead of the curve in regards to bridging the art/craft divide. . . . A tantalizingly broad argument for craft’s relevance.” — Surface Design Journal