American Slavery and Russian Serfdom in the Post-Emancipation Imagination

“The rich array of cultural sources should spark the imaginative juices of specialists in Russian serfdom and American slavery. . . . Bellows’s comparative work is to be warmly welcomed and encouraged.”—The Journal of Southern History

“Well researched. . . . [Bellows] presents a mass of evidence that the principle difference between the portrayals of American slavery and Russian serfdom was race.”—Russian Review

“A new and welcome contribution to the growing field of Russo-American comparative history...American Slavery and Russian Serfdom in the Post-Emancipation Imagination is a great example of thought-provoking and engaging comparative history...More than juxtaposing the post-emancipation imaginations of the two countries, this monograph offers a comparative exploration of subjectivities of visual and textual lieux de mémoire of the two nations' ugly pasts. As Bellows persuasively argues, the search for atonement for the moral sin of human bondage was far from the minds of many Russian and American artists, writers, and businesses who chose to commemorate rather than condemn slavery and serfdom. Finally, Bellows’s book is an invitation for scholars of American slavery and Russian serfdom to consider how the legacies of violent servitude continue to shape the national psyche of Russian and American societies in the twenty-first century.”—H-Net

“This is a book that will serve scholars well, especially those who may know only one side of the historiography. . . . An excellent addition to the shelves of Americanists and Russianists alike and provides another much needed monograph on the nineteenth-century relationship between the United States and Russia.”—Journal of the Civil War Era

"Making use of an untapped reservoir of sources hiding in plain sight, Bellows tells the story of how societies that were remarkably different in many ways experienced the transition from servile to free labor in similar ways. . . . Bellows’s demonstration of the role played by literature and visual culture in shaping both societies’ post-emancipation worlds indicates that similarities between the two were at least as important as the differences.”—Agricultural History

“A well-researched comparative analysis.”—American Historical Review

“Given that Russian serfdom and US chattel slavery were very different . . . [Bellows] does not compare the two labor systems, but rather compares how freed Russian serfs and freed African Americans were perceived and represented in the two countries. She examines literature, paintings and illustrations, advertising, and popular periodicals in both countries to uncover and evaluate the contexts in which those cultural productions emerged and the messages they contained.”—CHOICE

“American Slavery and Russian Serfdom in the Post-Emancipation Imagination is intriguing, beautifully written, and thought-provoking. Bellows has produced a fine and important work of comparative cultural history, one that will be of great use to scholars of bondage and the post-emancipation era in both nations for years to come.”—H-Nationalism

“Bellows takes on a fascinating aspect of a very important topic of comparative history, providing novel insights to the question of emancipation in the United States and Russia with skillful readings of nineteenth-century popular culture.”—Andrew Zimmerman, George Washington University

“This is an extraordinary, innovative book, which follows in the footsteps of Peter Kolchin’s Unfree Labor, and adds new dimensions to the comparative history of American slavery and Russian serfdom by providing a detailed and compelling analysis of depictions of former slaves and serfs in a diverse collection of sources.”—Enrico Dal Lago, National University of Ireland Galway