No Sympathy for the Devil

“Recommended. Most levels/libraries.” — CHOICE

“Stowe offers a serious and impressive examination. . . . Anyone even remotely interested in American or religious studies will be captivated by this study.” — Publishers Weekly

“The exploration of musical/social/political connections is perhaps the greatest strength of this well-written, carefully researched book. Stowe explains the early development of Christian pop and rock music more thoroughly than perhaps any other book available.” — Library Journal starred review

“The real success story of political pop in recent history is the saga of Christian rock. . . Stowe follows Christian pop as it evolves from sound-tracking the left-leaning countercultural Jesus movement, with its saucer-eyed teen burnouts baptized in the surf of '60s Corona del Mar, California, to mobilizing Jerry Falwell’s Moral Majority and the Reagan Revolution.” — Bookforum

“Stowe’s engaging book makes an excellent contribution; I recommend it highly for both scholars and students.” — Journal of American History

“A compelling spiritual biography of — and a vivid memory book for — the boomer generation . . . a rich source for further thought on America’s nth Great Awakening.” — Journal of Religion

“A must-read for anyone seeking to understand the relationship between evangelical Christianity and popular music.” — Register of the Kentucky Historical Society

“Stowe’s book is an admirable effort and one of the few real histories of this genre that is still in print.” — School of the Rock blog

“Stowe has provided an intriguing, important, and readable book, ably showing both the sympathies that conservative Christians held toward the “devil” of rock ‘n roll and countercultural affectations.” — Journal of Southern Religion

“Highly entertaining. . . . Those concerned with God’s missional activities in America, past and present, would benefit richly from this book, as it analyzes a movement that deserves to be counted among America’s great revivals.” — Missiology