“It’s pretty rare to pick up a book, turn randomly to any page, and find such a powerful personal story that you have to close the book for a moment to take it in. But the oral histories featured in Sweet Tea . . . cast just that kind of spell.”—The Advocate
“This fascinating . . . oral history subverts countless preconceptions in its illustration of black gay subcultures thriving in just about every imaginable rural and religious milieu in the South. . . . The courage and honesty of Johnson’s interviewees humble, and readers will find much to treasure in the stories.”—Publishers Weekly
“Challenges queer, black, men’s, and southern historiographies. . . . Illuminates the fabric of black gay men’s history . . . [and] debunks the myth that southern black gay men live only fearful, silenced, and secret lives.”—Journal of Southern History
“Easily shatters many narrow perceptions around the intersections of class, sex, love, age, religion, family and gender expression in Southern communities, as well as the simple and complex reasons that the men profiled have chosen to remain in the south.”—ColorLines
“In reading each colorful story, it seems as if the men are sitting right in front of you. . . . With nearly 46 percent of America’s new HIV/AIDS cases occurring in the South, Johnson is serving the tea right on time.”—POZ
“Sweet Tea is an amazing book. Engaging from the very start, it is well written and thought provoking throughout. There were times I simply could not put it down.” —E. Lynn Harris
“A variety of biases, oversights, and material circumstances have conspired to push the narratives of southern black gay lives to the margins. Sweet Tea makes a monumental achievement by getting these stories out into the world. Every subsequent, serious engagement with the topic will have to address Johnson’s work. This book is certain to be consulted, referenced, and discussed for many years to come.” —John Howard, author of Men Like That: A Southern Queer History
“A compelling archive of stories often left unheard. Stories given magical life in performance by their brilliant archivist. A must read.” —Houston A. Baker Jr., Distinguished University Professor, Vanderbilt University
