Trinity of Passion
The Literary Left and the Antifascist Crusade
By Alan M. Wald
344 pp., 6.125 x 9.25, 29 illus., notes, index
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Paperback ISBN: 978-1-4696-1882-1
Published: August 2014 -
E-book EPUB ISBN: 978-0-8078-8236-8
Published: April 2011 -
E-book PDF ISBN: 979-8-8908-7991-2
Published: April 2011
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Wald presents a cross section of literary talent, from the famous to the forgotten, the major to the minor. The writers examined include Len Zinberg (a.k.a. Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth McKenney, Morris U. Schappes, and Jo Sinclair. He also uncovers dramatic new information about Arthur Miller's complex commitment to the Left.
Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, Wald re-creates the intellectual and cultural landscape of a remarkable era.
About the Author
Alan M. Wald is the H. Chandler Davis Collegiate Professor of English Literature and American Culture at the University of Michigan and is the recipient of the Mary C. Turpie Prize of the American Studies Association. His six previous books include The New York Intellectuals: The Rise and Decline of the Anti-Stalinist Left from the 1930s to the 1980s and Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left.
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Reviews
"A valuable addition to scholarship on the history of left-wing Jews. . . . Informative [and] richly detailed."—American Jewish History
"Wald's meticulously researched thumbnail biographies of individual writers, many of them hitherto little-known, amount to far more than literary-historical detective work."—Science & Society
"A vibrant and insightful reading of American sociopolitical literary culture."—Contemporary Jewry
“Wald's enterprise is distinguished by his sympathy for his writers' existential struggle and his expansive notion of [literature]. . . . One could use his work to assemble a respectable mid-twentieth-century canon of pop Modernist and social realist left literature. . . . [Wald's] complicating of the received canon and deepening of individual political conflicts . . . makes one look forward to the final panel of his triptych.”—The Nation
"Readable and informative. . . . A garden of reader delights."—Jewish Book World
"Wald skillfully and knowledgeably handles the political motives, context, and implications of those writers' works."—Journal of American History