320 pp., 6.125 x 9.25, 32 halftones
Paperback ISBN: 978-1-4696-5554-3
Published: June 2020
Hardcover ISBN: 978-1-4696-5553-6
Published: June 2020
eBook ISBN: 978-1-4696-5555-0
Published: April 2020
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While acknowledging the core differences between chattel slavery and serfdom, as well as the distinctions between each nation’s post-emancipation era, Bellows highlights striking similarities between representations of slaves and serfs that were produced by elites in both nations as they sought to uphold a patriarchal vision of society. Russian peasants and African American freedpeople countered simplistic, paternalistic, and racist depictions by producing dignified self-representations of their traditions, communities, and accomplishments. This book provides an important reconsideration of post-emancipation assimilation, race, class, and political power.
About the Author
Amanda Brickell Bellows is a lecturer in history at The New School.
For more information about Amanda Brickell Bellows, visit the Author Page.
“Given that Russian serfdom and US chattel slavery were very different . . . [Bellows] does not compare the two labor systems, but rather compares how freed Russian serfs and freed African Americans were perceived and represented in the two countries. She examines literature, paintings and illustrations, advertising, and popular periodicals in both countries to uncover and evaluate the contexts in which those cultural productions emerged and the messages they contained.”--CHOICE
"This is an extraordinary, innovative book, which follows in the footsteps of Peter Kolchin’s Unfree Labor, and adds new dimensions to the comparative history of American slavery and Russian serfdom by providing a detailed and compelling analysis of depictions of former slaves and serfs in a diverse collection of sources."--Enrico Dal Lago, National University of Ireland Galway
"Bellows takes on a fascinating aspect of a very important topic of comparative history, providing novel insights to the question of emancipation in the United States and Russia with skillful readings of nineteenth-century popular culture."--Andrew Zimmerman, George Washington University